June—a favorite month to be outdoors—to breathe the nascent summer scents, to listen to birdsong and bellowing frogs and wear the warm cloth of the summer sun on bare skin. Evenings too, are especially sensual and sweet with fireflies (or lightning bugs), soft breezes, rustling leaves and rain or stars pulsing a sticky sky. It’s a perfect time to sit and write, read poetry and indulge longings of the creative sort. With that in mind, I let go a free flow of hand through brush and words come what may.
This June, I also watched and was engrossed in National Geographic’s program Genius: Picasso and was very inspired by his relentless pursuit of his artistry and his sad pursuit of women/muses often to the detriment of their lives. There is much debate these days about whether or not one can/should separate the art from the artist. Picasso was narcissistic, egotistical and highly competitive, traits I most often find offensive. However, watching the brilliant performance of the actors on a small screen, his story in hindsight and empathizing with Picasso’s process and pain as an artist, I was engrossed and inspired by his vision despite these flaws. Also with his circle of creative compatriots—Matisse, Gertrude Stein, Braque and others. I will read Francoise Gilot’s book Life With Picasso to get her take on their life together as his lover and contemporary artist. From the blurb: “Francoise Gilot paints a compelling portrait of her turbulent life with the temperamental genius that was Picasso.” Oh, and he was a poet too.
So this warm but comfortable night, I share these thoughts, words and paintings:
A few pencil strokes between the o
tumbleweed a rusling breeze
nomads of the night sky
the unturned stone’s lost syllables
in the holy of the artist rides the shotgun
The New Fancy
after an article by Joyce Cohen in The New York Times: March 26, 2017
The Hunt — Self-Employed Artists Find A Home Without Wheels
She a drummer
he plays guitar and acts.
They both sing
“misfit pop” tracks.
The couple rolled into NYC
in an ’82 Volkswagon camper
landing in Bedford-Stuy, Brooklyn,
rough around the edge but not cramper.
As self-employed artists they filmed
“Consumer Comments On Vegan Mayonnaise”
(cannot make this stuff up)
neither a critical success or a campy craze.
Always looking on the bright side,
they searched for an affordable rental:
750 sq. ft. in central Harlem — its windows covered
with paper, certainly to these two, nothing detrimental.
On a clear day
it’s off with the paper for plenty of light,
while the bathroom faucet growls on and off
frightening away critters throughout the night.
The water pressure is so low —
one neighboring wifi network is aptly named,
“NoWaterPressureHere,” thus insuring
urban wit and creativity, above all, take aim.
“It’s better than the wheels,” so they say
and certainly not permanent.
As artists seeking gritty New York,
now all they have to do — is pay the rent.
ag ~ 2017
waxing crescent moon
the philharmonic plays a piece
inspired by night
truth of place on my canvas slips away
lost to the paint
the pregnant pause
always in the present tense bushstroke after brushstroke
hands in dishwater
my hips torch
House of The Rising Sun
if only… the growl in her voice
glimpses of wild feminine here and there a brushstroke of cerise
Every once and again, we come to a crossroad, or as a friend likes to say, choice points. Sometimes they appear to be as minor as choosing between two colors to paint with. Sometimes they are more than that.
yellow or black
if relevance comes at a price
can I mix the two?
void or depression
her head in a fog
the backstory merges
into the foreground
self-portrait as the painting dictates its own
of positive and negative space jumps
off the canvas into my car
over sensible shoes
and hot pink panties